I made this print on commission from Kate Riley. She said she wanted something for her best friend Nora. Nora’s favorite story is the Parable of the Prodigal Son a.k.a. the Running Father from the Bible. I read Henri Nouwen’s book about Rembrandt’s painting of the story. It gave me a lot to think about in terms of my own family and the human family more generally. I made two new carvings, which you see repeated in the bottom of the print. Both are self portraits from photographs, one laughing, one crying. The other images are assembled from blocks I had made in the past: a tree, some people in the Siberian landscape of my memories, and a visual feast of food within a house frame, from the recent print project “the Land Gives…” The original text in this piece I did by hand in oak gall ink. I made it in an edition of three. One went to Nora, and I have two left.
This is a work I made at the Center for Book Arts in 2012 when I was a resident artist there. It consists of thirty-six woodcuts and wood engravings from all six sides of six handmade type-high (0.918″) blocks of maple, with an original narrative text & list poem handset in lead Caslon Antique type, letterpress printed in seven colors on a paper booklet & fold-out broadside. For sale in the Emporium of Real Things.
In the winter of 2009-2010 I was working on how to collect Sycamore (London Plane) sap from all the street and park trees in New York, and boil it down for Sycamore syrup, which reportedly is like maple syrup, but a little more “mediocre.”
I documented that project along with some other related thoughts and experiences in a work called We Common, published by ISCP in an exhibition catalog called Out of the Blue, and online at the Center for Collective Wealth.
This was a wide-ranging project we did in 2009. At the core of it was growing a container garden on the roof of Huong Ngo’s studio.
It was part of an alternative pedagogy project she was organizing called Secret School. We started thinking about all the other secret gardens, the ones that you don’t even know are there, tucked away onto rooftops and hidden in backyards.
So we started organizing tours of the secret gardens. This was an especially cool one made by Brian Trzeciak. Later that summer his garden also hosted some great rooftop saunas that Anna Larson and I organized. Our goal with the tours was to build a community of secret gardeners, in which I’d say we were moderately successful.
We also made some mobile gardens, like this greenhouse built onto a tricycle. We left it locked up on the street and someone put a blue ribbon made out of masking tape on it. That made us very happy.
We made one on a red wagon too. Later on, we made the tricycle one nicer and it was part of a show called Bike Rides at the Aldrich Museum. After that it lived at the Red Shed Community Garden for awhile, and we used it for seed starting.
We were also working on seed saving, using these custom secret seed packets we made. We participated in a seed saving exchange organized by folks from the Poughkeepsie Farm Project, and also made an exhibition of seeds, along with other stuff from the project at NurtureArt, the local non-profit art space in our neighborhood.
Some of the seeds were from wild plants, which I have a special affection for. We made little origami boxes to display them in, and laid them out on a table. It looked like a cityscape. There was also soil in bags down below the table, our trust for the future, and other ephemera. Plus we made a twin watercolor drawing of some radishes we grew, and put that on the wall.
A related work was the Beeline Transit Map, a reimagining of the NYC subway map. It shows the routes that birds, bugs, and bees might take to get around the city, hopping from greenspace to greenspace, to point out how important those spaces are. We drew it by hand with watercolor and pencil.
We displayed a copy of it along with the seed saving stuff, but also had it at Smack Mellon for another art show. It was kind of funny, we hung it high up in the second story window, where it would be really hard for gallery visitors to look at, but easy for birds flying by. However, we did make a small nod to the flightless humans by providing binoculars. We also made a folding pocket-sized version of the map with folding binoculars, which you can buy at the Emporium.
Oh one more thing, there’s an anonymous article in an online magazine called the Highlights. It refers to our map as an example of “crapomimicry,” which apparently is a new word some crazy scientists were trying to get added to the dictionary. We wouldn’t know anything else about that, but if you click on the link and scroll down to “XII” you can read it for yourself.
I’ve been out riding my tricycle a lot. I found it back in 2004. It was in pieces. I fixed it up, added some bells and whistles, and started riding. I like it, it gets me moving. Doing it. You know, getting into it, active.
In these first few pictures, I’m projecting a film on my back while I’m riding. I call that MOBILIZE: The Moving Picture Show. I’ve projected a lot of Charlie Chaplin films. They’re perfect. No talking, just great spirited music and whacky sound effects. And everybody recognizes him. Sometimes cartoons are good too.
The first two pictures are from New York City, where I lived from 2006-2012. But I started showing movies this way back when I lived in eastern Connecticut, where I grew up. This one was at the Third Thursday Street Festival in Willimantic, CT. I made all these manifestoes on an offset press in the printshop at UConn, and I used to pass them out when I was out riding around. You can buy one in the Emporium if you want, there are still a few left over.
The project tends to be pretty eyecatching and people always ask me what I’m doing. So it’s a good way to break the ice and have a conversation with somebody, about anything, everything. Spontaneously like that. That’s the reason I’ve kept doing it from time to time. I enjoy it, other people enjoy it, and it seems to help bring us closer together.Later I started doing some daytime projects with the tricycle too, as the Moving Picture Show only works when it’s dark out, and frankly riding bikes is more fun during the day.
I built a set of different attachments for it. My friend likes to call them modules. One attachment is for the projector, film repair stuff, popcorn maker, etc. Everything I need for the Moving Picture Show. Another one is for collecting wild plants and cooking, out on the streets.
That’s MOBILIZE: The Portable Pantry. I used it to collect rosehips, crabapples, pine needles, holly leaves, chokeberries, bayberries, and a few other things growing in New York this past winter. I was learning how to identify plants, cook jams, preserve food, and prepare different teas, in order to throw Wild Tea Parties with people.
Sometimes it was a good excuse to climb the street trees, which I think is an underrated activity. This tree on 23rd Street near 8th Avenue had some very late crabapples that were still good in December. I made apple butter from them. Overcooked it a little.
Another attachment is MOBILIZE: The Wandering Workbench. This is a roll-out workshop with a bench vise, work surface, and storage for hand and power tools. I’ve been using it to work immediately on the street, finding material, making Public Domestications (term coined through conversations with Huong Ngo), and installing them on the sidewalks for public use. The Corner Libraries project is a Public Domestication too, as were a lot of the projects in A Lot in Our Lives.
Public Domestications are aimed at making public space more comfortable, more communicative, more equitable, more accessible, and less alienating. They are aimed at making public space ours.
So far, many of them have been about an exchange of some kind.
This is a found pirate costume installed on a coat rack on a construction wall: the yellow rose was contributed by the busker you can see in the background. He was a wizard on the pots and pans, plastic buckets and bits of broken glass, and seemed to be really supportive of my project, which is entirely mutual!
I brought MOBILIZE to the Bronx in the summer of 2008 to do some stuff up there. I had a parking place at the Bronx Museum during June and July for the AIM show.