This was the final phase of the Pulling Together / Legends of Willimantic project I organized with Ted Efremoff. During the intervening years the boat was stored under a tarp at my parents’ house. We used it once or twice at Alexander’s Lake, where we go every year for vacation, but mostly it just sat there. Then one time I recklessly left the boat tied out in a lake during a bad thunderstorm and it got wrecked pretty badly against some rocks. There was a huge split all along the bottom plank, by the keel. So we had to decide whether to fix it or do something else with it.
In the end, we installed it as a sculpture at the I-Park Foundation, an artist’s residency program, land-based sculpture park, and alternative cemetery in East Haddam, Connecticut. We named this iteration of the project Weighing Anchor. Ted and I worked with James Holland and Johnnie Walker to brand a text into the sides of the boat, explaining the adventures we’d had with it. Then, we cut away the bottom of the boat, and planted a white pine inside it, to symbolically replace the tree that had been cut and milled for the planking.
Finally, we landscaped the area around our boat to create a fire pit and stone field, trying to make the site inviting as a place to sit and share stories. An invitation to use the space for storytelling was also branded into the side of the boat. It is our hope that the site will be used by residents and visitors for years to come, as the tree matures and the boat gradually decays back into the landscape.
I made a new set of woodblock prints around the time we were working on installing the boat at I-Park, thinking about the life of a project, the many lives it touches and connects, and how it can be sad when it comes to an end. In the context of I-Park’s Thanatopolis, a proposed alternative cemetery, the leaving of the boat was like a burial rite for our project; a project that had been so much about action and adventure, now finally coming to rest. Later, I made a watercolor painting of the boat in the style of an illuminated manuscript, with a stylized tree for a mast, sailing over the ocean, with a varied crew of friends. I wrote the text with oak gall ink that I made myself, and gold leafed the tree trunk. This painting was part of my residency work at the Center for Book Arts and it was exhibited there in 2012.