I did a residency at the Nest, a program of the Institute for Contemporary Art in Yerevan, Armenia, in the summer of 2018. While there I worked on a social engagement/experimental documentary project, collecting stories of indigenous foods and the cultural effects of displacement from homelands, collaborating with an Armenian diaspora food historian, Mari Firkatian.
THE TREE SPA FOR URBAN FOREST HEALING uses the steam generated as a byproduct of the maple syrup evaporation process to power a communal steam room. Participants take the healing waters of the trees and discuss important matters affecting our communities, in the relaxing social space of a steamroom, while drinking tree juice from the maple trees growing nearby. The Tree Spa is based in Keney Park, in the North End of Hartford, Connecticut, a neighborhood with a poverty rate near 50%.
This is a work I made at the Center for Book Arts in 2012 when I was a resident artist there. It consists of thirty-six woodcuts and wood engravings from all six sides of six handmade type-high (0.918″) blocks of maple, with an original narrative text & list poem handset in lead Caslon Antique type, letterpress printed in seven colors on a paper booklet & fold-out broadside.
Ted Efremoff organized a show called Insite/Out in June 2012 at Artspace, New Haven, CT. For two weeks I lived and worked in the gallery along with artists James Sham, James Holland, Rebecca Parker, and Ariana Jacob. For me, this was a return to a neighborhood in which I had previously done a major project (A Lot in Our Lives). I had also grown up going to punk shows around the corner at a club called the Tune Inn that is no longer around. The neighborhood has been gentrifying and developing a lot since I’ve known it, due to its proximity to Yale and the downtown New Haven Business Improvement District.
This was a wide-ranging project I did in 2009, collaborating with Huong Ngo. It was part of an alternative pedagogy project she was organizing called Secret School. We started thinking about all the other secret gardens, the ones that you don’t even know are there, tucked away onto rooftops and hidden in backyards.
This is an adventure I had with a giant pumpkin, in 2005. I was invited to make a site-specific performance art work for a halloween party, as a member of the Independent Performance Group, curated by Marina Abramovic. I carved the pumpkin into a house and lived inside of it for the duration of the party.