This project started as one aspect of my elaborate MFA thesis exhibition, A Work of Art, in 2005. It continued as a portable system for one-on-one collaborations with strangers for several years afterwards.
Here is a video showing a version of the project performed in Somerville, MA, at a street festival, in 2006. Thanks to Jamie Rinaldi for the camerawork.
I made a kit of tools that resembled a shoeshine’s setup, which I used to make relief prints from wooden cubes that were carved and engraved on all six sides with images and text. Sometimes I set it up on the sidewalk in New York or Boston. Once I took it on the plane to Berlin, Germany for a performance art show at Hau Eins.
Sometimes I did it as a mute, not speaking, but using gestures and images to communicate. Other times I would converse freely, and try to get people to tell me stories while we did the work together. There was an intimacy to the situation that made some people uncomfortable, while others seemed to be overjoyed at being served by an artist on his hands and knees. By creating the situation I was aligning my work as an artist with other working class occupations, in an attempt to critique the elitist pretensions of the art world, and reclaim the artist’s rightful place in solidarity with working class movements of resistance to labor exploitation.